This is a selection of visual art work. Please click individual images to see full. 

For additional images contact martabelw@gmail.com

One Night in Shell  / 2017 - Present

This work is connecting the disintegration of certain social structures (education, housing, the overall economy) with ocean acidification and global warming. Living in coastal California, there is a constant reminder of the both the increased difficulty to live (if you are not in tech or finance) and the ways in which global capitalism is destroying the environment. They are taken in the context of a relationship, connecting love and desire to affective despair brought on by the Anthropocene. By focusing on ocean life we often see as the bottom (shells, crabs, barnacles) it is creating a kind of emotional solidarity in hopes of creating new political actions. 

Spiral Dance
Spiral Dance

One Night in Shell Digital Photograph Dimensions variable, 2017

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Shell Boi
Shell Boi

One Night in Shell Digital Photograph Dimensions variable, 2018

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Shell Boi 2
Shell Boi 2

One Night in Shell Digital Photograph Dimensions variable, 2017

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The Lesbian Moon Lobster #1
The Lesbian Moon Lobster #1

One Night in Shell Digital Photograph Dimensions variable, 2018

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The Lesbian Moon Lobster #2
The Lesbian Moon Lobster #2

One Night in Shell Digital Photograph Dimensions variable, 2018

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The Lesbian Moon Lobster #3
The Lesbian Moon Lobster #3

One Night in Shell Digital Photograph Dimensions variable, 2018

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Barnacle Womyn
Barnacle Womyn

One Night in Shell Digital Photograph Dimensions variable, 2017

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Reef Creature #2
Reef Creature #2

One Night in Shell Digital Photograph Dimensions variable, 2017

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Reef Creature
Reef Creature

One Night in Shell Digital Photograph Dimensions variable, 2017

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Crab Cozy / Summer 2017

The van is reimagined as a home for an animal we do not yet know. A creature who has evolved in the Anthropocene to inhabit what remains of a civilization past. The shell becomes a space to contemplate the forms that remain when the content is no longer relevant. Mystical and campy, iridescent and trashy, Cozy Crab invites you to salvage what remains.

Van Project: Crab Cozy Mixed media installation, 2017

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Van Project: Crab Cozy Mixed media installation, 2017

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Van Project: Crab Cozy Mixed media installation, 2017

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Seashell Aesthetics / Spring 2017

 Full text available at yesfemmes.com

Seashell Aesthetics #1 Digital Collage, 2017

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Seashell Aesthetics #2 Digital Collage, 2017

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Seashell Aesthetics #3 Digital Collage, 2017

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#ReclaimMayDay / 2013

#ReclaimMayDay is an investigation into the changing aesthetic, performative, and theoretical frameworks of coalitional politics that have emerged in light of Occupy Wall Street, the Arab Spring, and other significant transnational movements of the past three years. The thesis has three major components: a multimedia gallery installation, a May Day themed issue of RECAPSmagazine.com (Reclaim culture, art, politics and sexuality), and a manifesto text titled “Daisy-Chain Theory.” The gallery featured a May Pole, which served as a dynamic shrine and an ephemeral memorial to the pagan and political origins of the holiday. The gallery was the site of a teach-in about the state of campus activism. RECAPS is an on-going investigation into the relationship between virtual and embodied practices, archival and new material, art production and political discourse. 

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Photography

American Goddess
American Goddess

Digital Collage, 2015

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Birdtopia
Birdtopia

Digital Collage, 2014

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Digital Psychedelia C-print 24 x 36 inches 2013

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Pleasure is a Public Good Performance Documentation, Trespass Parade 2012

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Fantasy Island #1 C-print 55 x 25 inches 2010

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Fantasy Island 2
Fantasy Island 2
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Found Mushrooms 20 x 10 inches C-print 2011

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Untitled (Birth) C-print 24 x 36 inches 2008

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Untitled (Landscape) C-print Dimensions variable 2010

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